My family would read a lot of newspapers. As a kid, I would grab the newspapers to look for the comic strip from that day. To find out that children, decades ago when the comic strip became very popular, would do the same is very cool. I never paid much attention to the history of comic books and strips, but finding out the comic strip, first published in 1896, was surprising. It is impressive how Hearst published the very first comic strip, not knowing it would set off an entirely new genre. A genre where every artist feeds off each other's ideas to make new characters and new scenarios, cleverly making them their own. Something I found very interesting was the intense competition between different comic strip artists and publishers. It is very similar to that of the industry we are in as illustrators. We feed off each other, inspiring one another but still striving to stand out in the crowd with the best idea. From these artists, we have gained characters that shaped...
1. The Killing Joke, and the Joker in general, was kind of my introduction to the DC/Batman world and I had previously watched the animated movie before reading the comic. I thought the comic brought out the darker parts of the story, and was able to fully bring the more graphic images and topics that an animated movie might have limitations to. I really liked the comic so much better than the movie and I think I was able to get a better tone of the Joker and his motive. You really get to see what made him, him. The Joker is still a terrible person but you really get to see what drove him to do what he did, and that was trying to provide for his wife, which I still believe is the only person he will ever love. I really liked seeing a clearer display of the relationship between the Joker and Batman; it really shows just how similar they can be. I've always portrayed them both as the worst married couple with the most toxic relationship in the world. 2-3. I was able to connect...
Une Semaine de Bonte by Max Ernst really caught my attention, but not necessarily in a good way. The contrast and eerie compositions of each collage left an uncomfortable feeling as I looked through them but they kept me engaged. It was hard to interpret what Ernst was trying to communicate because there can be endless translations to this work, it just depends on the person. The men with rooster heads torturing women felt like karma on humanity, showing that what comes around always comes back. To me, it was more of showing that the way we interact and treat what's around us, wether it be bad or good, it can come full circle.
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